DDEX Membership Growth Creates Need for New Structure; Kirit Joshi Elected Chair
| Source: ASCAP
NEW YORK, NY--(Marketwire - January 13, 2010) - Digital Data Exchange ("DDEX") has announced
the launch of a new membership structure, which is aimed at accommodating
further membership growth following recent increases in membership and in
particular the addition of three new Charter Members. Microgen Aptitude
Limited, Phonographic Performance Limited and Société Civile des
Producteurs Phonographiques (SCPP) have all recently accepted invitations
from the DDEX Board to become Charter Members and take seats on the DDEX
Board.
These announcements come at the beginning of the term of office of Kirit
Joshi of Sony Music Entertainment, who was unanimously elected as Chair of
DDEX in November 2009. He replaces Chris Amenita of ASCAP, who has served
as Chair since the organization's launch in May 2006 and whose term of
office comes to an end in accordance with the bylaws of the organization.
Joshi said, "I am thrilled to be taking on the role of Chair for DDEX.
DDEX has become well established as a vital standards development
organization in the digital media supply chain, particularly for digital
music. So much of the organization's success thus far reflects the
exceptional leadership and dedication of my predecessor, Chris Amenita, and
on behalf of everyone at DDEX, I'd like to thank Chris for his invaluable
contribution. Chris has worked extremely hard over the last three and a
half years to get DDEX to this point. With our highly committed membership,
an increasingly widespread use of our standards and a growing group of
participants, DDEX is well poised for further success. I look forward to
taking the helm and working with all of our members to take DDEX to the
next level."
Chris Amenita commented, "I have thoroughly enjoyed my time as Chair at
DDEX, most particularly because the membership is made up of companies with
quite diverging interests at a commercial level but with common problems to
solve at a technical and operational level. This has meant that, despite
what differences we may all be experiencing commercially, everyone comes to
DDEX determined to solve technical problems, leaving commercial differences
at the door. It's a really positive atmosphere to work in!"
There are two main changes to the membership structure of DDEX. Firstly,
the membership fees for Full Members (formerly Contributing Members) will
now be based on the annual revenue of the member. Previously a flat
membership fee of $10,000 per annum was seen by some as a bit of a hurdle
for all companies to become involved. This revenue-based approach is
better aligned to encourage more significant growth in membership,
particularly of small and medium sized companies. Secondly, there are
improved benefits for those companies that will be Associate Members
(formerly Participating Members) that will give them a better taste of the
organization's activities and hopefully encourage Full Membership. In
addition, for the first time individuals will be able to become members of
DDEX for just $250 per annum. Full details of the new membership structure
and fees is available at the DDEX website at
http://www.ddex.net/members.html.
Said Joshi, "Even though DDEX's membership has been growing, the DDEX Board
wants to make sure that membership is affordable for as many companies as
possible. This new structure will ensure that DDEX is an inclusive
organization. In addition to gaining regular membership benefits,
companies that join DDEX now will be able to utilise the foundations of all
that has been achieved over the last four years. The DDEX standards are
strong and are being increasingly adopted within the digital music
industry, so now is a good time to get involved."
DDEX is now looking beyond the specification of standard XML messages,
which is what it was originally set up to do, to look at all areas of the
digital supply chain that could be benefit from standardization, to enable
a largely automated processing environment. This will include the
mechanisms by which the messages are exchanged including the specification
of "micro" messages, which can control the order and timing of events
within the supply chain. Similarly, work will also be undertaken regarding
the delivery of the content itself. Such an automated environment will
provide even greater efficiencies and cost savings for digital media supply
chain companies than just standardized XML messages. As a prelude to this
work, DDEX is publishing a white paper, which sets out its vision of the
nature of a standardized and automated infrastructure for the management of
the digital media supply chain. Titled "Standardisation for an Automated
Transaction Processing Environment in the Digital Media Supply Chain," the
white paper discusses how the largely proprietary processing environment of
today could be replaced with industry standards and lead to significant
improvements in efficiency and radical reductions in costs for everyone
operating in the digital media supply chain. The document is published on
the DDEX website at http://www.ddex.net/whitepaper.html.
Commented Joshi, "DDEX has accomplished a great deal but there is still
more for us to do to improve efficiency and bring down cost in the digital
supply chain as a whole. DDEX therefore wants to encourage small and
medium sized companies in the digital music supply chain to join and
participate in these developments. We also hope that companies in other
digital media industries will consider membership. We are certain that the
message standards we have created are sufficiently generic to be adapted to
other media. Furthermore, future initiatives will reflect a wide range of
media industry requirements and thus have relevance for all digital media
supply chains. We fully recognize that widespread adoption depends on
this."
DDEX representatives will be attending MIDEM from 23rd - 27th January and
would be happy to meet with companies wishing to discuss membership of the
organization. Contact secretariat@digitaldataexchange.com to arrange an
appointment.
About DDEX:
DDEX was set up to develop and encourage the adoption of standard XML
message formats to improve the current exchange of data between companies
operating in the digital media content supply chain. The standards enable
the identification of the information required to provide digital media
content to the consumer and report sales back to the content owning
companies, as well as common ways for this data to be exchanged between
companies. The world's leading companies and organizations involved in the
digital music supply chain formed DDEX in 2006. Initially DDEX has
therefore focused on the digital music supply chain, but DDEX is now
encouraging membership from stakeholders in any media sectors that overlap
with music.
The Charter Members of the organization are Sony Music Entertainment, The
Orchard, Warner Music Group, Universal Music Group, The American Society of
Composers, Authors and Publishers (ASCAP), The Harry Fox Agency Inc. (HFA),
Phonographic Performance Limited (PPL), PRS for Music, Sociedad General de
Autores y Editores (SGAE), Société Civile des Producteurs Phonographiques
(SCPP), Société des Auteurs, Compositeurs et Editeurs de Musique (SACEM),
Apple Inc., Microgen Aptitude Limited, Nokia, Orange, RealNetworks Inc. and
Telefónica Servicos de Música S.A.U.
Membership of DDEX is open to any organization with a business interest in
the digital media content supply chain.
The names of actual companies and products mentioned herein may be the
trademarks of their respective owners.